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LEADERBOARD
Dual Contest Winner

This is a list of contestants who have taken first place in both The New Yorker Cartoon Caption Contest and CartoonStock Caption Contest—arguably the two most prestigious caption contests running today.

The New Yorker contest is the gold standard, a cultural institution where the competition is relentless and a winning caption earns your name in print; in two issues.

CartoonStock raises the stakes further with cash prizes and a transparent selection process—winners and runners-up chosen by a judging panel of cartoon professionals, chaired by former New Yorker cartoon editor Bob Mankoff.

The names on this list have cleared both bars. It's not a coincidence that some of the names appear in both. And, sometimes, multiple times.

Contestant TNYCCC Wins CartoonStock Wins CS Win Earnings
Alan Leo 1 1
Andrew Welhouse 1 3 $1,000
Beth Lawler 1 2
Bob Shiffrar 2 1
Brandon Lawniczak 2 2 $1,000
Carol Lasky 1 3 $ 500
Chris Sunami 1 1
Colin Mills 2 1
Dave Matta 1 1
David Davidson 1 1
Don Symons 1 2
Gary Borislow 2 2
Jessica Misener 3 1 $ 500
Joe Ayella 2 4 $1,042
Joey Narain 2 1
Kathy Wrobel 1 7 $1,000
Kurt Rossetti 2 2
Mark Schaefer 1 2 $1,000
Michael Holmes 2 2 $ 500
Michael Lomazow 1 1
Mike Douglas 1 1 $ 500
Nick Gaudio 1 1
Nicole Chrolavicius 4 2
Pat Foley 1 2
Paul Nesja 2 5 $ 500
Richard G. Marcil 1 2
Sam Skoronski 1 2
Steve Everhart 1 3
Thomas Vida 1 1 $ 500
Victor Chongchua 1 1 $ 500
Vincent Coca 1 5 $1,000
Data as of 15 Jul 2026  ·  31 dual winners found

Cross-Platform Dominance: The Dual-Crown Integration Methodology

The Dual Contest Winners index acts as a specialized relational directory designed to track the incredibly rare crossover milestones of creators who achieve top rankings across multiple independent syndicates. Instead of monitoring a singular publication's timeline, this data model cross-references historical archives from separate entities—specifically isolating the intersection between print-publication winners and incentive-driven digital contest champions. By isolating these overlapping success points, the system builds an elite registry of writers who have successfully proven their comedic versatility under vastly different competitive environments.

The data layer functions by running comparative queries across disparate historical databases, automatically pairing distinct author profiles who have secured first-place victories in both monitored circuits. This allows researchers to study true cross-platform mastery, tracking individuals whose structural writing formulas translate universally, regardless of the target audience or platform prestige.

Inter-Organizational Data Synthesis & Grid Features

To preserve analytical integrity when merging independent datasets, the tracking framework prioritizes strict validation rules to account for different editorial timelines and judging systems.
  • Cross-Contest Validation Metrics: The system isolates and highlights creators who have successfully cleared distinct institutional hurdles—reconciling the public-facing selection processes of legacy magazine print cycles with the professional, panel-adjudicated systems of digital illustration archives.
  • Multi-Vector Client Controls: The user interface utilizes a localized client-side script framework to manage complex cross-referenced data arrays effortlessly. Visitors can dynamically sort the master list by cross-platform victory frequency, query specific elite writer names, and navigate the combined historical archive seamlessly via client-side pagination.

The Logic of the Ultimate Comedic Benchmark

Why synthesize separate competition data into a unified dual leaderboard? Winning a single prestigious contest requires an exceptional alignment of phrasing, brevity, and timing; replicating that success across two completely different institutions requires a bulletproof mastery of visual comedy. By tracking who clears both bars, this matrix filters out localized anomalies and exposes the universal skill set behind high-level gag writing. It serves as a definitive archive for the absolute elite of the captioning community, proving that when true craftsmanship intersects with structural humor, success isn't restricted by a publication's border.

Clearing the highest bar in print is hard enough, but our data is here to celebrate the elite few who went back and cleared the second one too.

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